The Odyssey (2026)
There are two things I admire about Christopher Nolan. First, he’s never made the same movie twice (outside of the Batman trilogy). He’s Kubrick-ian in that way, setting out to make the best movie in every genre he visits. Second, he relishes large-scale storytelling. Like his peer Denis Villeneuve, he loves painting on the biggest canvas possible. Taken together, it makes perfect sense that Nolan would tackle The Odyssey, an epic tale in a genre he hadn’t conquered yet. That said, the movie contains all of the narrative and stylistic touches you’d expect from a Nolan film, right down to the “what did he say?” moments of dialog dialog.
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