The Devil Wears Prada 2

The Devil Wears Prada 2

To say that a lot has changed in the past twenty years would be putting it mildly.  Take journalism, for example.  In The Devil Wears Prada, journalism graduates had career options.  Fast forward to today and I doubt any student would seriously consider being a reporter.  Print media has been supplanted by social media as the source of news for many people, making traditional journalists obsolete.  How Andrea “Andy” Sachs handles this shifting landscape is the basis of The Devil Wears Prada 2, a funny and thoroughly enjoyable sequel that manages to take a few well-earned swipes at the downsize-afflicted corporate environment of 2026.

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Normal

Normal

For a while now, the role of the “one man wrecking crew” who takes on a corrupt town, corporation or what have you has been the cinematic domain of Jason Statham.  As an established badass, we know that anybody who gets in his way are idiots who will soon be lying in a pool of their own blood.  Which is what makes Bob Odenkirk’s encroachment on Statham’s territory so interesting.  No one would ever mistake Odenkirk for Statham, who looks more like a kindly grandpa than a killing machine.  Odenkirk’s a square peg that’s wedged himself into the action/revenge genre hole, and the mismatch is what makes Normal so much fun.  Odenkirk may look like a kindly old man, but watch out when he gets riled up.

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Hoppers

Hoppers

“If I could talk to the animals, just imagine it.  What a neat achievement that would be!”

Those lines are from “Talk to the Animals”, the Academy Award winning song 1967 movie Doctor Dolittle.  (They’re mostly spoken by Rex Harrison, but the versions by Bobby Darrin and Sammy Davis Jr. make up it.)  The idea–or fantasy, if you prefer–of being able to talk to animals is one that’s intrigued mankind forever.  Who wouldn’t want to talk to any of the other species living beside us?  That sense of curiosity and wonder is largely absent in Hoppers, however, a likeable animated film from Pixar that uses this fanciful notion in the service of a small-scale adventure.  Although the movie has its heart in the right place, and is often quite funny, it could have been much more.

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Sentimental Value

Sentimental Value

Humans are strange creatures.  Instead of getting rid of what makes us miserable, we hold onto it.  This is the focus of Sentimental Value, a movie about two artists, a father and his daughter, who keep what hurts them close at hand.  One explanation provided is that those hurtful things inform their art.  (He’s a director, while she’s a theater actor.)  Revisiting their pain makes what they create more honest and true.  However, it also prevents either of them from leading fulfilling lives, artistically as well as personally.  The movie explores this commingling of art and trauma with a level of maturity, sensitivity and empathy that forced me to look at myself in a way that I’d avoided for, well, most of my life.

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Crime 101

Crime 101

One of the oldest cliches in cops and robbers movies is how the two groups are sides of the same coin. That they’re all angry psychopaths who don’t think twice about killing to get what they want.  The only difference between them is that those on the law enforcement side wear badges, and that the criminals wear better clothes and drive nicer cars.  Thankfully, Crime 101 doesn’t go in that direction.  Instead, it focuses on why some people are drawn to criminality, while others retain their moral compass.  It’s a movie that follows the genre formula fairly closely, but colors outside the lines just enough to keep us guessing.

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The Choral

The Choral

In The Choral, a small British town struggles to put on their annual choral program as WW1 steadily depletes their ranks.  The theme of an unlikely bunch of characters overcoming adversity to accomplish something amazing is both conventional and familiar, and given the context, you would expect this movie to be very respectful and sentimental.  Well, not entirely.  On the one hand, what the movie says about the importance of music during dark times is very thoughtful and touching.  On the other hand, the movie delivers that message in a very unexpected way.  While there is no doubt the British had sex during WW1, the movie goes out of its way to show that the British were quite randy back then.  In fact, the only time they’re not thinking about sex is when they’re singing.

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The Friend

The Friend

What do you do when your friend asks you for a favor above and beyond what you would normally do for them?  For example, “Would you look after my dog after I’ve checked out?”  That kind of request can affect your life dramatically, especially when that dog is a Great Dane, you live in a small studio apartment and the building has a no pets policy.  How do you turn down your friend’s dying request?  And more importantly, what does the dog think about this arrangement?

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