During a quiet moment in Pressure, Group Captain James Stagg (Andrew Scott) poignantly asks a colleague, “What is wind?”  His question is rhetorical but it reflects the philosophical differences he has with a rival who bases his optimal D-Day forecast upon historical charts.  In the face of unrelenting pressure from everyone around him to change his pessimistic weather forecast, Stagg stays true to his convictions, because he knows that predicting the weather requires more than pattern-matching.  It requires curiosity and insight, two things that ultimately won out in what was proven to be the most consequential weather forecast in history.

If you’ve seen a big budget disaster movie before, you know what to expect from Deep Water.  Every disaster trope you can think of makes an appearance.  What distinguishes this movie from the rest is that it’s not just an airplane crash movie, it’s also a shark attack movie!   That’s right, it’s a genre mash-up, which turns out to be a brilliant move because both halves compliment each other perfectly, like a burger with a side of fries.  The movie isn’t a masterpiece, but as far as genre fare goes, it’s exciting and entertaining.

For a while now, the role of the “one man wrecking crew” who takes on a corrupt town, corporation or what have you has been the cinematic domain of Jason Statham.  As an established badass, we know that anybody who gets in his way are idiots who will soon be lying in a pool of their own blood.  Which is what makes Bob Odenkirk’s encroachment on Statham’s territory so interesting.  No one would ever mistake Odenkirk for Statham, who looks more like a kindly grandpa than a killing machine.  Odenkirk’s a square peg that’s wedged himself into the action/revenge genre hole, and the mismatch is what makes Normal so much fun.  Odenkirk may look like a kindly old man, but watch out when he gets riled up.

Like its eponymous character, The Life of Chuck contains multitudes and is difficult to categorize.  It’s by turns apocalyptic, fantastical, nostalgic and horrific.  Broadly speaking, it’s an existential treatise disguised as a heartwarming coming-of-age tale that ultimately works because its charm and amiability.  Recommended. Continue reading The Life of Chuck

Humans are strange creatures.  Instead of getting rid of what makes us miserable, we hold onto it.  This is the focus of Sentimental Value, a movie about two artists, a father and his daughter, who keep what hurts them close at hand.  One explanation provided is that those hurtful things inform their art.  (He’s a director, while she’s a theater actor.)  Revisiting their pain makes what they create more honest and true.  However, it also prevents either of them from leading fulfilling lives, artistically as well as personally.  The movie explores this commingling of art and trauma with a level of maturity, sensitivity and empathy that forced me to look at myself in a way that I’d avoided for, well, most of my life.

One of the oldest cliches in cops and robbers movies is how the two groups are sides of the same coin. That they’re all angry psychopaths who don’t think twice about killing to get what they want.  The only difference between them is that those on the law enforcement side wear badges, and that the criminals wear better clothes and drive nicer cars.  Thankfully, Crime 101 doesn’t go in that direction.  Instead, it focuses on why some people are drawn to criminality, while others retain their moral compass.  It’s a movie that follows the genre formula fairly closely, but colors outside the lines just enough to keep us guessing.