The Exorcist is proof that no franchise, no matter how moribund, will always get another chance at box office glory.  After proving time and again that they could not make a successful sequel, Warner Brothers let The Exorcist property languish on the shelf.  In the years since the equally  uninspiring prequels were released in 2005-06, an interesting thing happened.  Rival studios used the original movie as a template for their own demonic possession movies.  While those movies were not on par with the movie that inspired them, they were usually profitable.  (2010’s The Last Exorcism was inconceivably profitable.)  This steady stream of success is probably what led Universal to purchase the rights to The Exorcist, with the justification that if knock-offs could make money, a small-budget Exorcist movie rooted in the lore of the original certainly could make a healthy profit.

At one point in The Nun II, the demon known as Valak is terrorizing Sister Irene (Taissa Farmiga).  While doing that, Valak is also possessing another character in another town that, according to the movie, is an hour’s car ride away.  For reasons left unexplained, Valak has grown more powerful since the last installment.  Of course, Valak was very powerful before.  For example, at one point Valak transported a priest into a coffin buried underground.  In this sequel, Valak has the power to warp space-time in two places simultaneously.  That display of power is very impressive.  And yet, no matter how hard Valak tries, I knew that Valak would lose again to a nun who might be ninety pounds soaking wet.