Zootopia 2

Zootopia 2

A lot has changed since Zootopia was released in 2016.  For starters, the buddy cop movie is practically nonexistent.  Decades ago, these movies regularly appeared in theaters in the form of action-comedies (Lethal Weapon, Rush Hour), spoofs (21 Jump Street), satires (The Other Guys) or fresh takes on the genre (The Nice Guys).  Besides the evergreen Bad Boys franchise, I’m hard-pressed to recall a notable buddy cop movie from the past ten years besides the one starring Russell Crowe and Ryan Gosling.  If sneaking the genre into a family film helps keep the genre alive, I’m all for it.  I wish the filmmakers had given their animal detectives a better case to crack than the one in Zootopia 2.  Ah well, perhaps they’ll get one in the next sequel, which is hinted at in a credit cookie.

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The Bad Guys 2

The Bad Guys 2

When you’ve played the villain your entire life, it takes more than a single good deed to change perceptions.  That’s the quandary these Bad Guys find themselves in.  They bought into the whole tail wagging thing last time around and used their talents to do a whopper of a good deed, but their past transgressions are still etched within everyone’s memory.  Did they make the right decision in breaking good?  Or should they revert back to what everyone still holds against them?  The Bad Guys 2 shows that it takes time, hard work and believing in yourself to make that happen.  I’m not sure if this movie’s target audience will appreciate the philosophical argument discussion that’s happening alongside the slapstick and chaos, but their parents can explain it to them later, I suppose.

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Elio

Elio

If science-fiction films have taught us anything, it’s that meeting aliens from another world should scare us.  Time and again, the aliens that show up just want to kill and eat us.  Films like 2001: A Space Odyssey, Close Encounters of the Third Kind and E.T., which depict aliens as being benevolent and even helpful towards humanity, are notable exceptions to the rule.  Elio joins that short list because the aliens the eponymous character meets are a very friendly group who actually need his help.  Unfortunately, Elio can’t make up its mind as to what story it wants to tell, forgoing adventure and excitement implied by its premise in search of emotional payoffs.  The resulting film is fine, but it could have been special.

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The Day the Earth Blew Up

The Day the Earth Blew Up: A Looney Tunes Movie

The Day the Earth Blew Up is funny, visually inventive and, unlike Warner Brothers Discovery, honors the legacy of the Looney Tunes cartoons.  The movie is a testament to what hand-drawn animation can achieve when in the right hands.  Although 2025 is only three months old, this movie is already the front-runner for comedy of the year.  Highly Recommended. Continue reading The Day the Earth Blew Up: A Looney Tunes Movie

Flow

Flow

Although never explicitly stated, Flow is about climate change.  Even if you don’t believe in it, I think you can still enjoy the movie, but its underlying message will elude you.  There is a reason why an unassuming grey cat is forced to deal with a sudden environmental catastrophe, and it’s not so that we can see how well it can steer a boat.  (It steers surprisingly well, by the way.)

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Moana 2

Moana 2

Moana has a restless spirit.  When we first met her in the eponymous movie from 2016, Moana was the only one on her island of Motunui who wasn’t happy with the status quo.  She didn’t want to just exist, she wanted to go places.  Simply put, she lives for adventure.  When she’s warned by her father not to venture beyond the reef, that’s exactly what she tries to do.  Moana fails, but that setback doesn’t stop her from trying again because she’s an explorer at heart, a feeling she conveys perfectly when she sings “How Far I’ll Go”.  (See the line where the sky meets the sea?  It calls me.)

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The Wild Robot

The Wild Robot (review)

There’s something different about The Wild Robot.  There’s a vibrancy to the movie that’s  noticeable.  You can almost feel the excitement everyone involved had while bringing this story to the screen.  Every aspect of this movie–the visuals, the voice acting, the dialog–is executed to perfection.  The movie doesn’t have a single false note to it.  Yes, it is that good.  There are aspects to it that will be familiar.  The story features a futuristic robot doing amazing things (Wall-E), migrating birds (Migration) and animals that teach us life-lessons (The Jungle Book, Finding Nemo).  The brilliance of The Wild Robot is in how it incorporates themes that we’re already familiar with and breathes new life into them.  It accomplishes this by having us experience them through the adventures of the wild robot the movie is named after.

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The Wild Robot

The Wild Robot (analysis)

As I mentioned above, The Wild Robot is an exceptional film in every way.  Since calling a movie excellent in every way isn’t really criticism, I settled on one aspect that elevates it above other animated films that I also liked.  Its maturity.  The movie never panders to a particular segment of the audience.  Although the movie is one that will appeal to children, it doesn’t contain any jokes just for them.  There are no fart jokes or other examples of simplistic “kiddie humor” designed to make children laugh.  While the movie does have its silly moments, those moments happen within a more insightful context.

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Despicable Me 4 Mega Minions

Despicable Me 4

Has Gru always been a government agent?  I still haven’t seen Despicable Me 1, 2 or 3, so I’m at a disadvantage when it comes to grasping the nuances of this franchise.  I did see Minions: The Rise of Gru, where a grade school-aged Gru helped the Anti Villain League (or AVL) capture bad guys of his own free will.  Given how Despicable Me 4 shows that Gru is still in kahoots with “the man”, describing him as “despicable” is such a misnomer.  He may be irritable and occasionally get into mischief, but his heart is in the right place.  With that in mind, perhaps the time has come to give these movies a more appropriate name, like Disagreeable Me?  Or Dyspeptic MeCranky but Admirable Me?  If anyone at Illumination Studios is reading this, I offer up these suggestions free of charge.  Consider it a public service.

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Inside Out 2

Inside Out 2

Would it surprise you to know that even after writing well over two hundred reviews, I still feel anxious whenever I start a new one?  I always ask myself the same questions.  What if I don’t have anything interesting to say?  What if nobody reads it?  What if I say something dumb and lose what little credibility I have?  What if I miss my self-imposed Tuesday morning publication date?  Fortunately, after seeing Inside Out 2, I now know that all of these expressions of anxiety emanate from an orange, bug-eyed Muppet who has usurped control of my mind.

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