The Wild Robot

The Wild Robot (review)

There’s something different about The Wild Robot.  There’s a vibrancy to the movie that’s  noticeable.  You can almost feel the excitement everyone involved had while bringing this story to the screen.  Every aspect of this movie–the visuals, the voice acting, the dialog–is executed to perfection.  The movie doesn’t have a single false note to it.  Yes, it is that good.  There are aspects to it that will be familiar.  The story features a futuristic robot doing amazing things (Wall-E), migrating birds (Migration) and animals that teach us life-lessons (The Jungle Book, Finding Nemo).  The brilliance of The Wild Robot is in how it incorporates themes that we’re already familiar with and breathes new life into them.  It accomplishes this by having us experience them through the adventures of the wild robot the movie is named after.

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The Wild Robot

The Wild Robot (analysis)

As I mentioned above, The Wild Robot is an exceptional film in every way.  Since calling a movie excellent in every way isn’t really criticism, I settled on one aspect that elevates it above other animated films that I also liked.  Its maturity.  The movie never panders to a particular segment of the audience.  Although the movie is one that will appeal to children, it doesn’t contain any jokes just for them.  There are no fart jokes or other examples of simplistic “kiddie humor” designed to make children laugh.  While the movie does have its silly moments, those moments happen within a more insightful context.

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Despicable Me 4 Mega Minions

Despicable Me 4

Has Gru always been a government agent?  I still haven’t seen Despicable Me 1, 2 or 3, so I’m at a disadvantage when it comes to grasping the nuances of this franchise.  I did see Minions: The Rise of Gru, where a grade school-aged Gru helped the Anti Villain League (or AVL) capture bad guys of his own free will.  Given how Despicable Me 4 shows that Gru is still in kahoots with “the man”, describing him as “despicable” is such a misnomer.  He may be irritable and occasionally get into mischief, but his heart is in the right place.  With that in mind, perhaps the time has come to give these movies a more appropriate name, like Disagreeable Me?  Or Dyspeptic MeCranky but Admirable Me?  If anyone at Illumination Studios is reading this, I offer up these suggestions free of charge.  Consider it a public service.

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Inside Out 2

Inside Out 2

Would it surprise you to know that even after writing well over two hundred reviews, I still feel anxious whenever I start a new one?  I always ask myself the same questions.  What if I don’t have anything interesting to say?  What if nobody reads it?  What if I say something dumb and lose what little credibility I have?  What if I miss my self-imposed Tuesday morning publication date?  Fortunately, after seeing Inside Out 2, I now know that all of these expressions of anxiety emanate from an orange, bug-eyed Muppet who has usurped control of my mind.

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The Garfield Movie

The Garfield Movie

A couple of thoughts crossed my mind while watching The Garfield Movie.  The first one was whether any of the small children in the audience knew who Garfield was before seeing this movie.  I became familiar with the character through the comics section of the Sunday newspaper.  Do ten year-olds today know what a comic strip is, let alone a Sunday newspaper?  I doubt that they do.  Social media, specifically TikTok, appears to be the preferred choice for short-form comedy bits these days.  Why would a child ever read a static, three-panel comic strip for a laugh when they can watch countless live-action videos instead?

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Kung Fu Panda 4

Kung Fu Panda 4

In Kung Fu Panda 4, Master Shifu (Dustin Hoffman) tells Po (Jack Black) that he must relinquish the title of Dragon Warrior and find a replacement so that he can become the Spiritual Leader of the Valley.  (You may recall that in the first movie, Master Oogway held that position and passed away after choosing Po as the Dragon Warrior.)  While Shifu insists Po needs to accept his new role in order to continue growing, Po actively resists the change.  Like anyone who has spent a long time doing things himself, he is uncomfortable with being promoted to “management”.  He loves fighting injustice and hanging with the Furious Five and doesn’t want to give either of them up for a role that he doesn’t understand.  (To its credit, the movie does a decent job explaining just what a manager–or Spiritual Leader–actually does.)

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Ruby Gillman Teenage Kraken

Ruby Gillman: Teenage Kraken

In Roger Ebert’s review for Ratatouille, he emphasizes how animated film isn’t just for children, but for the whole family and even adults going on their own.  I kept thinking about that while watching Ruby Gillman: Teenage Kraken, a hyperactive, garish, humorless and unoriginal animated movie made ostensibly for children.  Amazingly, this is the second animated film released in the last year or so that uses a girl’s transition into womanhood as a metaphor for gaining supernatural powers.  Pixar’s Turning Red was released over a year before this movie and is the far superior film in every way.

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Elemental

Elemental

Being a kid in a Disney (or Pixar) cartoon is tough.  Instead of being encouraged to leave home and follow your passion, you’re expected to honor family traditions and go into the family business without complaint.  Incredibly, young people chafing at familial obligations also played a role in Frozen, Moana, Coco, Encanto, Strange World and now Elemental.  Just once I’d like to see a movie where the kid is completely gung-ho to stay home and take over their parents’ flower shop.  The twist would be the parents don’t want him to leave because they just want to sell the place and move to Portugal.  Conflict ensues because the kid just wants nothing more than to make pick-me-up bouquets for the rest of his life.  Then one day they meet a handsome delivery person who forces them to consider the world outside the shop.  Are you listening, Disney?  You can have my pitch for a song!

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Spider-Man Across the Spider-Verse

Spider-Man: Across the Spider-Verse

Spider-Man is back!  Which one?  I don’t blame you for being confused, what with so many Spider-People swinging around these days.  There were three Spider-Men in the previous Spider-Man movie, the live-action No Way Home.  2018’s animated Into the Spider-Verse had seven of them.  Across the Spider-Verse, a sequel to that film, includes so many Spider-People that your head will spin trying to count them all.  (Don’t worry, someone on Wikipedia is on the job.)  The key arachnids in this year’s Spider-Movie are Miles Morales (Shameik Moore), who stepped into the role when his Earth’s Spider-Man was killed by the Kingpin, and Gwen Stacy (Hailee Steinfeld), who is Spider-Gwen on her Earth.

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