To Kill a Mockingbird (novel)

To Kill a Mockingbird (novel)

My journey with Harper Lee’s To Kill a Mockingbird didn’t begin in high school, where students typically become acquainted with it.  Instead, it began with an article published in the Washington Post on November 3, 2023, titled “Teachers tried to dump ‘To Kill a Mockingbird.’ The blowback was fierce.”  As someone who typically reads classic literature, I was curious why anyone would want to take Mockingbird out of the required curriculum.  The novel, first published in 1960, has been considered as one of the great works of English literature since it was published.  Why would educators want to pretend it no longer exists?

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Weapons

Weapons

The fact that Weapons begins with its most haunting images tells you something about what writer-director Zach Cregger has in store for us.  The movie is ostensibly about seventeen children who disappeared at the same time, but Cregger’s ambitions extend beyond that.  Although Weapons is a horror movie, it’s also surprisingly insightful in what it says about how tragedy affects us, the risks associated with everyday human kindness and the lonely plight of victimized children.  And on top of all that, it’s very funny.  Weapons is a big canvas horror movie that takes big swings and connects every time.

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The Bad Guys 2

The Bad Guys 2

When you’ve played the villain your entire life, it takes more than a single good deed to change perceptions.  That’s the quandary these Bad Guys find themselves in.  They bought into the whole tail wagging thing last time around and used their talents to do a whopper of a good deed, but their past transgressions are still etched within everyone’s memory.  Did they make the right decision in breaking good?  Or should they revert back to what everyone still holds against them?  The Bad Guys 2 shows that it takes time, hard work and believing in yourself to make that happen.  I’m not sure if this movie’s target audience will appreciate the philosophical argument discussion that’s happening alongside the slapstick and chaos, but their parents can explain it to them later, I suppose.

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F1: The Movie

F1: The Movie

F1: The Movie would have been an entertaining movie regardless of who was cast in the leading role.  It’s infinitely better with Brad Pitt in the driver’s seat, though.  As one of the few remaining actors who is also a star, Pitt gives the movie its electricity.  It also helps that he’s comfortable with putting his rugged good looks on display again.  If Pitt had insisted upon obscuring his good looks with glasses, a beard and long, scraggly hair, few would want to see that movie.  (If you got my reference to Pitt’s supporting turn in The Big Short, congratulations!)

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Jane Austen Wrecked My Life

Jane Austen Wrecked My Life

In Jane Austen Wrecked My Life, a thoroughly charming romantic comedy in French and English, we’re shown how problematic it can be to expect life to unfold like a plot in one of Ms. Austen’s works.  Agathe (Camille Rutherford), the tortured writer at the center of the film, has been waiting for an unexpected turn of events that will propel her past her insecurities and doubts.  Life, however, refuses to cooperate and Agathe drifts along without purpose.  Fortunately, her loved ones take the initiative to force her out of her self-induced inertia, which sets Agathe on a journey remarkably similar to one of Austen’s heroines.

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The Day the Earth Blew Up

The Day the Earth Blew Up: A Looney Tunes Movie

The Day the Earth Blew Up is funny, visually inventive and, unlike Warner Brothers Discovery, honors the legacy of the Looney Tunes cartoons.  The movie is a testament to what hand-drawn animation can achieve when in the right hands.  Although 2025 is only three months old, this movie is already the front-runner for comedy of the year.  Highly Recommended. Continue reading The Day the Earth Blew Up: A Looney Tunes Movie

The Truth vs. Alex Jones

The Truth vs. Alex Jones

Structurally, The Truth vs. Alex Jones looks and sounds like a typical true crime documentary.  Somber cellos play over the opening credits.  Drones provide an aerial view of the town and the site where the crime took place.  Lawyers make confident and or defiant statements in front of microphones.  Photos and home movies of the victims accompany interviews with the grief-stricken surviving family members.  The shocking details of the crime echo in news media coverage.  Prosecuting attorneys and defendants have tense courtroom exchanges.  What distinguishes this documentary from the rest is that its focus isn’t the inciting incident–the mass shooting at Sandy Hook Elementary–but the criminal activity that began in the aftermath of that tragic event.

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Anora

Anora

According to writer-director Sean Baker’s Anora, working as a stripper is just another job, albeit an unusual one.  First there’s the disorienting atmosphere of the club, with its loud, thumping music and rotating colored lights.  Then there’s the job itself, which involves coaxing payments to pay for a few minutes of fake intimacy with a semi-nude woman.  Although it certainly helps to be a good erotic dancer, as Ani (Mikey Madison) is, it’s even more important to convince patrons that she likes them.  If they don’t believe her initial performance, they won’t pay for her services.  Being a successful stripper is about the art of pretending, convincing others that illusions are real and that dreams can come true–for a price.  It’s a theme that reverberates throughout the movie, reaching beyond its transactional origins to produce consequences both expected and unexpected.

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The Straight Story

The Straight Story

In what may be cinema’s most perplexing title card sequence ever, The Straight Story begins with “Walt Disney Pictures Presents…A Film By David Lynch”.  No, this isn’t a joke on Lynch’s behalf.  This movie really was released by Disney in 1999.  It was also Lynch’s only “G” rated film, which makes the odd juxtaposition easier to comprehend.  If you’re a Lynch devotee like myself, I want to assure you that although the movie is for general audiences, it does includes many of Lynch’s signature artistic touches that his fans will recognize immediately.  In other words, The Straight Story is just as  “Lynchian” as Blue Velvet or Mulholland Drive, two of his most highly regarded films.

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A Complete Unknown

A Complete Unknown

As a biopic, A Complete Unknown is obligated to show us its subject’s humble origins.  Accordingly, the movie opens with a twenty year-old Bob Dylan (Timothée Chalamet) in the back of a station wagon.  He’s hitching his way from New Jersey to Greenwich Village to see his folk music hero, Woody Guthrie.  Dylan works on a song during the ride, scratching out lyrics in a notebook while refining the melody on his guitar.  Dylan’s workmanlike qualities, specifically how he was always working on his music at all times, is a theme the movie returns to again and again.

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