Jane Austen Wrecked My Life

Jane Austen Wrecked My Life

In Jane Austen Wrecked My Life, a thoroughly charming romantic comedy in French and English, we’re shown how problematic it can be to expect life to unfold like a plot in one of Ms. Austen’s works.  Agathe (Camille Rutherford), the tortured writer at the center of the film, has been waiting for an unexpected turn of events that will propel her past her insecurities and doubts.  Life, however, refuses to cooperate and Agathe drifts along without purpose.  Fortunately, her loved ones take the initiative to force her out of her self-induced inertia, which sets Agathe on a journey remarkably similar to one of Austen’s heroines.

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Evil Does Not Exist

Evil Does Not Exist

Of all the reasons people use to justify developing previously untouched land, creating a glamping site has to be right up there.  I was unfamiliar with the term before seeing Evil Does Not Exist, and after two characters explained what it meant I was appalled.  The thought of bulldozing trees and smoothing a natural landscape so that rich people can have a glamorous camping experience is silly, but I fully understood why people would pay for it.  Unlike a public camping site, glamping offers amenities and resort-style services.  There’s no need to “rough it” when you can relax in the equivalent of a hotel room nestled amongst trees.  (This begs the question as to whether an activity can even be called camping if there are no inconveniences involved.)  Second, glamping is all about exclusivity.  There’s no need to worry about camping around normal, everyday people when you can use your money to pitch your yurt next to other rich people like yourself.

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Lamb

Lamb is a horror/fantasy/drama.  The story concerns Maria (Noomi Rapace) and Ingvar (Hilmir Snær Guðnason), two Icelandic farmers.  They lost a child years ago, and their lives are now filled with the routine tasks of tending to their field and their flock of sheep.  One day, an ewe gives birth to a lamb that is not a lamb.  It’s part lamb, part human.  Seeing the lamb a second chance at motherhood, Maria takes it from the barn and cares for it as if it were her own baby.  The trio become a family, but the unexpected return of Ingvar’s ne’er-do-well brother Pétur (Björn Hlynur Haraldsson) threatens their happiness.  Before long, Maria is forced to confront the tension between her and Pétur, as well as the ramifications of taking the lamb from its birth mother.

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Another Round

The story of four middle-aged men in Denmark who decide to engage in a psychological experiment: to see whether living life slightly tipsy makes them better teachers.  Their teaching actually improves, and they confirm that having a drink (or two) helps to put one’s troubles aside temporarily and live and in the moment (surprise, surprise).  Their personal lives take some unexpected turns, however.  Just like with car performance, your life on alcohol may vary.  For the characters in this movie, it’s a choice between soberly dealing with depression and regret on a daily basis, or letting yourself be free enough to let loose and dance.  Highly recommended (unless you’re a teetotaler).

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Les Misérables (2019)

A man reaps what he sows.

Watching Les Misérables is like watching a prophecy filmed a year ago about the social unrest in America today.  The only difference is that the movie is located in France.  The film’s no-frills direction, realistic acting and white-knuckle pacing made me feel like I was watching a documentary.  The film won the 2019 Cannes Film Festival Jury Prize, and was nominated for Best International Feature for the 2019 Academy Awards.

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