Zola

Zola is a neon-tinged adult nightmare, featuring pole dances, hard core rap, violent pimps and sex work that goes from pitiful to dangerous.  The movie is a darkly funny road trip, starting out innocently (!) enough as a way for Zola and her BFF Stefani to earn thousands of dollars  dancing in strip clubs in Florida.  Zola, the movie’s heroine quickly becomes ensnared by her Stefani and her pimp in prostitution.  Zola keeps her cool, hopeful that she’ll be unharmed and free to go at the end of the weekend.  The movie is an entertaining, if frustratingly superficial, ninety minute dance on the wild side.  Recommended.

Continue reading “Zola”

Another Round

The story of four middle-aged men in Denmark who decide to engage in a psychological experiment: to see whether living life slightly tipsy makes them better teachers.  Their teaching actually improves, and they confirm that having a drink (or two) helps to put one’s troubles aside temporarily and live and in the moment (surprise, surprise).  Their personal lives take some unexpected turns, however.  Just like with car performance, your life on alcohol may vary.  For the characters in this movie, it’s a choice between soberly dealing with depression and regret on a daily basis, or letting yourself be free enough to let loose and dance.  Highly recommended (unless you’re a teetotaler).

Continue reading “Another Round”

The Courier

The Courier is a well made and well acted cold war spy movie, but it doesn’t make the impact that it should.  Benedict Cumberbatch stars as Greville Wynne, an everyman recruited by the CIA and MI6 to act as a courier for a high-level contact within the GRU.  I appreciated the production values used to recreate Sixties London and Moscow.  Several performances, including those by Rachel Brosnahan as a CIA agent and Merab Ninidze as spy Oleg Penkovsky stand out. The movie becomes affecting when both heroes are in prison, but before then, it’s a very slow boil.  Lightly recommended.

Continue reading “The Courier”

Sound of Metal (2020)

Many great movies are based on a question.  Sound of Metal asks two: would you be able to adapt to a major life-altering change to your body?  Also, if you could get back what you lost, would you do it?  The movie is the story of a heavy metal drummer who suddenly loses his hearing.  He is given the opportunity to learn how to function as a deaf person, but he can’t let go of his former life.  Riz Ahmed is excellent as Ruben, the drummer who is forced to learn how to live his life completely differently than before, but cannot let go of his former life.  Highly recommended!

Continue reading “Sound of Metal (2020)”

Minari (2020)

While watching Minari, I couldn’t help but think: is farming the saddest profession?  With so many variables out of your control, a happy and successful farmer would seem to be the exception to the rule.  Farming requires you to deal with the weather, pricing futures, insects, water (or the lack thereof), the physical toll, bank loans, and so on, any of which could leave you teetering on the brink of insolvency.  Being a farmer requires incredible fortitude, physical as well as mental.  You have to fully acquiesce to whatever fate may bring you, good or bad.  Minari fits squarely into the “tough life of the farmer” category of movies, and acquits itself well as a drama. Definitely recommended.

Continue reading “Minari (2020)”

Pieces of a Woman (2020)

Pieces of a Woman asks a question we never want to answer: how would I handle the death of a child?  The movie provides answers to that question through the perspectives of the mother, the father and the mother-in-law.  The acting in the movie is exceptional, and the childbirth scene is a riveting scene to behold.  After the initial tragedy, the movie becomes a character study in grief, and is effective because the performances are so honest.  Recommended.

Continue reading “Pieces of a Woman (2020)”

Control (2007)

As a longtime fan of New Order, I never really was into Joy Division.  Like most fans of post-punk and new wave, I was familiar with “Love Will Tear Us Apart”, with its melancholy, romantic fatalism.  I’ve always liked that song, but I never really appreciated Joy Division’s other material.  Prior to seeing Control, the only other Joy Division song I knew was “Transmission”.  (Both songs are always in heavy rotation on SiriusXM’s First Wave channel.)  Most of my resistance was due to the underproduced sound of Joy Division’s songs.  Compared to the music produced by New Order from 1985 onward, Joy Division’s songs for the most part sounded as if they were recorded in Dracula’s basement.

Continue reading “Control (2007)”

Les Misérables (2019)

A man reaps what he sows.

Watching Les Misérables is like watching a prophecy filmed a year ago about the social unrest in America today.  The only difference is that the movie is located in France.  The film’s no-frills direction, realistic acting and white-knuckle pacing made me feel like I was watching a documentary.  The film won the 2019 Cannes Film Festival Jury Prize, and was nominated for Best International Feature for the 2019 Academy Awards.

Continue reading “Les Misérables (2019)”