Bridget Jone: Mad About the Boy

Bridget Jones: Mad About the Boy

It was back in 2001 that Renée Zellweger first appeared in Bridget Jones’ Diary.  Thankfully, both return in fine form Bridget Jones: Mad About the Boy, the fourth entry in what has become a franchise.  Both Zellweger and her character are still reliable sources of laughs as they ever were.  Hugh Grant’s Daniel Cleaver is still a relentless Lothario, but is slowed by heart issues.  Alas, Colin Firth’s Mark Darcy has passed on prior to this sequel, and appears only as an apparition that Bridget can see.  Although the movie is funny, Mark’s death gives this entry a melancholy tone, where the passage of time and the loss of a loved one grounds things more than a typical romantic comedy.

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A Working Man

A Working Man

Jason Statham: Monster Hunter.  That’s what stuck in my mind as I watched Statham do his punch-kick-shoot-stab thing in A Working Man, an entertaining movie that often feels generic and routine.  Although there are no literal monsters in this movie, the movie’s gothic touches and freakish villains imply what could have been, if the filmmakers had the nerve to take the story in the direction they apparently wanted to go.  Seeing Statham hunting and killing evil Russians is fine, but swap out those ordinary targets to vampires and werewolves and we’d be talking next-level badassery.

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The Day the Earth Blew Up

The Day the Earth Blew Up: A Looney Tunes Movie

The Day the Earth Blew Up is funny, visually inventive and, unlike Warner Brothers Discovery, honors the legacy of the Looney Tunes cartoons.  The movie is a testament to what hand-drawn animation can achieve when in the right hands.  Although 2025 is only three months old, this movie is already the front-runner for comedy of the year.  Highly Recommended. Continue reading The Day the Earth Blew Up: A Looney Tunes Movie

Black Bag

Black Bag

If you’re a fan of spy thrillers, much of Black Bag will sound familiar.  The plot involves two MI6 agents, their scheming colleagues and a computer virus that, when unleashed by Russian bad guys, will change the balance of power in the world by causing the death of thousands of innocent civilians.  This could be the basis of another impossible mission for Ethan Hunt, the next James Bond adventure or even a streaming series.  (There are many good ones to choose from these days.)  What’s different about Black Bag is that the heroic agents are happily married and have been for thirty-five years.  Yes, the fate of the free world is in the hands of a monogamous couple, as well as a fellow agent who hasn’t forgotten her Christian school upbringing.  If you believe that old fashioned values don’t matter in today’s world, director Steven Soderbergh and writer David Koepp beg to differ.

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The Rule of Jenny Pen

The Rule of Jenny Pen

Everyone has met someone so full of themselves that you wish you could be there for their comeuppance and subsequent humbling.  Since this rarely happens in real life, movies like The Rule of Jenny Pen oblige us in this type of wish fulfillment.  In it, Judge Stefan Mortensen (Geoffrey Rush)  is exactly the kind of arrogant bastard who we can’t wait to see laid low by fate.  But, as the saying goes, even the wicked get worse than they deserve.

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Heart Eyes

Heart Eyes

Based on how Heart Eyes begins, I assumed the masked killer known as “Heart Eyes” (or HE, for short) hated Valentine’s Day and was taking his anger out on anyone celebrating the holiday.  The people HE initially dispatches–an annoying couple and their engagement photographer–indicate as such.  Subsequent victims, all engaged in conspicuously lovey-dovey behavior before they were sliced and diced, also appear to prove my hypothesis.  However, as we follow the ill-timed courtship of the two lovebirds at the center of this story, I realized that the movie isn’t about homicidal anger, but love.  Serial killers just have a funny way of showing it.

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Captain America Brave New World

Captain America: Brave New World

From what we see at the outset of Captain America: Brave New World, Sam Wilson (Anthony Mackie) has made great strides since he accepted being Captain America four years ago.  His contacts in Wakanda have outfitted him with Vibranium wings, which emit a purple energy blast when he slams them on the ground.  He’s also become proficient wielding his shield, so much so that the speed and complexity of the ricochets boggle the mind.  I wished the movie had included one of those training montages that were mandatory in all superhero movies.  I really would have appreciated seeing how Sam learned how to fling it so that it caroms off of walls, people and everything in between until it circles back like a gleaming frisbee.  Where did he train?  How did he become so adept at playing the angles?  Did he start out by mastering billiards, or perhaps bowling?  Did an elderly Steve Rogers train Sam à la Mr Miagi just before he checked out permanently?  (No, Chris Evans is not in this movie.)

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Companion

Companion

Science fiction often tells us that robots want to be human.  The twist in Companion is that Iris (Sophie Thatcher), the robot at the center of this story, believed she was human right until her owner threatened to shut her off.  In an instant, she not only learns that she’s not alive, but that her boyfriend is a total creep.  Considering how humans behave towards her throughout the movie, it makes perfect sense that she embraces her robot existence in the end.  It certainly beats the vastly inferior alternative.

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Presence

Presence

Presence is an atypical ghost story, in that it’s a first-person narrative told exclusively from the perspective of the ghost.  As such, the movie camera doubles as the ghost’s “eyes”, zooming around the suburban home setting like a hyperactive drone.  That’s because the camera actually is a drone, operated by Academy Award-winning director Stephen Soderbergh.

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