The Sparks Brothers

A heart-felt tribute to an enduring band that has a devoted cult following.  Directed by Edgar Wright, the movie briefly discusses the Mael brother’s formative years in California before diving headlong into their sixty-year career.  The Sparks Brothers serves as an introduction to the incredible volume of work Sparks has released, twenty-five albums and counting.  The stories detailing the band’s trials and tribulations take on a Spinal Tap quality, with fame and fortune always just out of the band’s grasp.  I walked into this movie knowing a few Sparks songs, and left with a sincere admiration for one of pop music’s genuine craftsmen.  Contrary to what Sparks says, they do not “dick around”.  Recommended.

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The Conjuring: The Devil Made Me Do It

Released five Years after The Conjuring 2, The Conjuring:The Devil Made Me Do It (or C3) shows how horror movie sequels have diminishing returns.  I enjoyed The Conjuring 2, with its wacked-out funhouse sensibilities.  C3 has many of the same elements as C2, and this time around they felt too familiar.  C3 has several good scares, but nothing in it surprised me.  The performances were also underwhelming, with Vera Farmiga’s Lorraine Warren and Patrick Wilson’s Ed delivering perfunctory turns as the self-styled demonologists.  Recommended for Conjuring completists only.

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A Quiet Place II

Like all great monster movies, A Quiet Place II is merciless and uncompromising. The movie avoids jump scares and builds genuine tension to an extraordinary degree. Whereas the first movie borrowed thematic elements from the Alien franchise, the sequel’s influence is the original Jurassic Park, minus the awestruck reactions, kid-friendly stuff and comic relief. QP2 is a monster movie that earns the right to takes itself seriously through taut direction and excellent acting. Highly recommended.

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The Woman in the Window

In The Woman in the Window, Amy Adams plays Anna, an agorophobic-asexual-alcoholic child psychologist who’s life turns into a weak copy of Rear Window.  The movie mainly exists as a device to persecute and torture Amy Adams’s character.  If you enjoyed seeing Adams essentially repeat her character from Sharp Objects, you may enjoy this movie.  As it stands, the movie doesn’t let her take any pleasure from her voyeurism, and instead repeatedly punishes Anna for her transgressions, past and present.  She’s Joan of Arc with a telephoto lens.  Not recommended.

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The Truffle Hunters

The Truffle Hunters ostensibly is a documentary about several (very) old men who look for the rare white truffle in the Piedmont region of northern Italy.  Every scene is framed and captured with the skill of Italian Master.  The movie is not your typical documentary, however.  It does not explain why truffles grow where they do, or how the truffle hunters find them.  Those are trade secrets that the hunters will take with them to the grave.  Instead, the movie is an affectionate  character study of the men whose profession remains untouched by time or technological progress.  And if you love dogs, this movie is a must-see.  Highly recommended.

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Things Heard & Seen

Things Heard & Seen is an unwieldy amalgamation of two genres: disintegrating marriage and haunted house.  While both elements of this surf-and-turf narrative are mildly interesting on their own, the combination of the two ultimately is not rewarding, with one cheapening the impact of the other.  Further confusing things is the ending, which applies a #MeTo, “sisterhood of the ghosts” resolution as a way of justifying the misery that compromises almost all of the movie’s runtime.  The ending is as bizarre as it sounds, and must be seen to be believed.  In spite of all that, and the fact that I don’t recommend watching this movie, I can’t entirely dismiss it, either.

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The Unholy

The Unholy is a throwback to horror movies from the Seventies, like The Exorcist and The Amityville Horror.  Its present day inspiration would be the Conjuring movies, with their focus on normal, everyday people confronting evil from a Christian perspective.  Unlike the Conjuring movies, The Unholy takes a more humanistic approach for most of its running time, focusing more on the characters trying to understand the mysterious events happening around them and less on evil beings and bombastic displays of satanic power. Its message of mistaking evil for the divine is a timely one. Recommended.

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Lupin (Netflix)

Lupin stars Omar Sy as Assane Diop, a Senegalese immigrant in France who models his life on the twentieth century thief Arsène Lupin. Known as the “gentleman burgler”, Assane has a gift as a chameleon, able to change his appearance and slip into various roles with ease whenever necessary. The sudden reappearance of a necklace that lead to his father’s incarceration and death spurs Assane to both steal it and prove his father’s innocence. Sy has charm to spare, the various heists are exciting to watch and every episode feels like a feature film. Lupin also addresses the racism that lead to the death of Assane’s father, and that he still deals with in modern France twenty five years later. Lupin is solidly entertaining, with a message that is as deftly delivered as it is timely. Highly recommended.

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The Courier

The Courier is a well made and well acted cold war spy movie, but it doesn’t make the impact that it should.  Benedict Cumberbatch stars as Greville Wynne, an everyman recruited by the CIA and MI6 to act as a courier for a high-level contact within the GRU.  I appreciated the production values used to recreate Sixties London and Moscow.  Several performances, including those by Rachel Brosnahan as a CIA agent and Merab Ninidze as spy Oleg Penkovsky stand out. The movie becomes affecting when both heroes are in prison, but before then, it’s a very slow boil.  Lightly recommended.

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