The Marvelous Mrs. Maisel Season Five

The Marvelous Mrs. Maisel – Season Five

Season Five represents the final curtain call for The Marvelous Mrs. Maisel. After the previous four seasons detailed Midge’s trials and tribulations involved with becoming a famous stand-up comedian, she finds herself closer than ever before to realizing her dream. This doesn’t mean that success will come easily for Midge. She still proves to be her own worst enemy more than once, taking two steps back for every one step forward. Then there’s the ever-present sexism that permeates her line of work. In a male-dominated field, the men refuse to take Midge seriously. Her boss, Gordon Ford, hires her to balance out his all-male writer’s room but mainly wants to sleep with her. And when she auditions for Jack Paar’s show, the producer doesn’t get Midge. It’s enough to make a scrappy, no self-pity woman cry, which she does at one point.

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Ted Lasso Season 3

Ted Lasso – Season 3

At the end of last season, Ted Lasso (Jason Sudeikis) and AFC Richmond found themselves in an unexpected position as victors.  With a critical assist from assistant coach Nate Shelley (Nick Mohammed), they were promoted back into the Premier League, an achievement no one besieged Ted believed would happen.  When season three begins, the glow from that success has already worn off.  Nate quit the team in a huff and accepted Rupert’s offer to be the coach of West Ham.  Sports prognosticators have AFC Richmond finishing in last place.  Ted, as always, is comfortable with people underestimating him and his team.  He knows that predictions don’t win games, players do.  However, there’s the feeling that the club over-performed.  After doing the impossible, everyone is thinking, “Now what?”

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The Sinner Season 4

The Sinner – Season 4 (2021)

In the fourth and final season of The Sinner, newly-retired Detective Harry Ambrose (Bill Pullman) and his girlfriend Sonya (Jessica Hecht) are vacationing in Hanover Island, Maine.  While she has been able to put the traumatic events of the previous season behind her, Harry has not.  He still feels guilty over killing Jamie (Matt Bomer), even though Harry did what he needed to do to protect his son Eli and Sonya.  Harry feels he should have taken a different course of action that would have resulted in a non-lethal outcome.  His nagging doubt makes it difficult for him to move on, even though he’s no longer an active law enforcement officer. 

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Wednesday (Netflix, 2022)

Wednesday (2022, Netflix)

Wednesday Addams (Jenna Ortega) is no average teenage girl.  With her pallid complexion, black attire, matching pigtails and a personality overflowing with misanthropy, she’s every parent’s nightmare, except for Morticia and Gomez.  They love their little viper, storm cloud, etc. and would do anything for her, including keeping her out of trouble when she exacts revenge on her brother Pugsley’s high school tormentors.  When Morticia confronts her with the possibility of having attempted murder on her record, Wednesday replies, “Terrible.  Everyone would know I failed to get the job done.”  If you love droll humor, Wednesday (character and series) has plenty more where that’s coming.

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Severance – Season One (Apple TV)

In a future that’s closer than you think, a company called Lumon Industries has invented a technology known as “severance”.  Enabled by a chip that is inserted into the brain, it effectively severs your mind into two selves, referred to whimsically as “innie” and “outie”.  Your “innie” is who you become when you’re working on Lumon’s “severed floor”.  That self has no awareness of who you are outside of work, but it does remember everything else you’ve learned (how to walk, talk, eat, etc.)  When you leave work, you transition back into your “outie”, who has no knowledge of what transpired during the day.  Think of it as compartmentalization on steroids.  If this technology had been invented by Apple, I’m confident they would have called something catchy like “iDissociate”.

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Midnight Mass

Mike Flanagan, the creative force behind The Haunting of Hill House and The Haunting of Bly Manor, returns with Midnight Mass, a new limited series on Netflix.  Similar to his two previous series, Midnight Mass is a combination of earnest performances, thoughtful, introspective dialog and stealth horror elements.  This time around, Flanagan has decided to de-emphasize the scary stuff, and the result is incredibly underwhelming, to the point where the series should have been titled Tedium.

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The Woman in the Window

In The Woman in the Window, Amy Adams plays Anna, an agorophobic-asexual-alcoholic child psychologist who’s life turns into a weak copy of Rear Window.  The movie mainly exists as a device to persecute and torture Amy Adams’s character.  If you enjoyed seeing Adams essentially repeat her character from Sharp Objects, you may enjoy this movie.  As it stands, the movie doesn’t let her take any pleasure from her voyeurism, and instead repeatedly punishes Anna for her transgressions, past and present.  She’s Joan of Arc with a telephoto lens.  Not recommended.

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Crime Scene: The Vanishing at the Cecil Hotel (Netflix)

This limited series focuses on the mysterious disappearance and death of Elisa Lam while staying at the Cecil Hotel in downtown Los Angeles.  This story could have served as a fascinating single episode of Unsolved Mysteries.  Unfortunately, what we get is four overly padded episodes that eventually confirm what I suspected all along.  Worse still, significant time was devoted to talking head commentary that is irrelevant to the case, especially the commentary made by several self-described “YouTubers”, “web sleuths” and “journalists”.  The commentary they made online at the time was entirely baseless speculation on what happened to Ms. Lam.  The decision to include them along with the interviews of the actual detectives and forensic specialists involved in the case was a decision that turned what could have been a serious examination into the case into laugh-inducing material.  Not recommended.

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Murder on Middle Beach (HBO)

A true crime documentary series where filmmaker Madison Hamburg attempts to figure out who murdered his mother.  The series contains several moments that are very moving, while the segments constructed to induce tension come off as contrived.  While only four episodes, the series feels brief and padded at the same time.  Moderately recommended.

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