The Wild Robot

The Wild Robot (analysis)

As I mentioned above, The Wild Robot is an exceptional film in every way.  Since calling a movie excellent in every way isn’t really criticism, I settled on one aspect that elevates it above other animated films that I also liked.  Its maturity.  The movie never panders to a particular segment of the audience.  Although the movie is one that will appeal to children, it doesn’t contain any jokes just for them.  There are no fart jokes or other examples of simplistic “kiddie humor” designed to make children laugh.  While the movie does have its silly moments, those moments happen within a more insightful context.

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Ghost Story 1981

Ghost Story (1981)

If Hell hath no fury like a woman scorned, how bad would it be if that woman was a ghost?  According to Ghost Story, that would be very bad indeed for those responsible for her scorn.  In the movie, the ghost is Alma (Alice Krige), and she’s been giving a group of old men nightmares for years.  These men, who collectively go by the name of the Chowder Society, meet once a month to tell each other ghost stories.  The group includes Ricky (Fred Astaire), John (Melvyn Douglas), Edward (Douglas Fairbanks Jr.) and Sears (John Houseman).  How Alma and the Chowder Society are connected is the central mystery of the story, and I don’t want to give that away up front.  It involves an ill-fated summer romance when all parties were much younger, which led to an accident that became an unspeakable tragedy.  Despite their best efforts to put what happened behind them, the past has not stayed in the past.

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The Substance

The Substance

The Substance is a grim fairy tale, a horrific bedtime story with one goal in mind: to show men what it’s like to be a woman and live in fear of the day when they become undesirable.  For Elizabeth Sparkle (Demi Moore), she’s confident that she hasn’t reached her “best by” date yet and tapes her daily aerobics show as normal.  Unfortunately, her incredibly chauvinistic television executive Harvey (Dennis Quaid) decides that Elizabeth is too old and angrily tells a colleague that it’s time to replace her with someone younger.  Elizabeth accidentally overhears Harvey’s side of the conversation, and knows that they won’t be discussing new opportunities during their lunchtime meeting.  Sure enough, Harvey glibly fires Elizabeth while she sits transfixed by the sight of him devouring a bowl of shrimp.  When it comes to men like Harvey, women are the same as food: something to be consumed and tossed away.

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Speak No Evil 2024

Speak No Evil (2024)

There’s something not quite right with the Daltons.  That’s painfully evident from the outset, when they choose to wallow in their own misery despite being in a beautiful part of Italy.  They don’t hide their misery, either, wearing it like an irritating jacket wherever they go.  Ben Dalton  (Scoot McNairy) is morose, while Louise Dalton (Mackenzie Davis) is edgy and controlling.  The two are so clenched around each other I imagined they squeak while walking.  Unsurprisingly, the two have unresolved issues between them that will play a consequential role in what transpires. 

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Beetlejuice Beetlejuice

Beetlejuice Beetlejuice

As I grow older, I sometimes wonder what the afterlife is like.  Will it follow the Catholic doctrine I was raised in, and be a celestial wonderland where everyone sings hymns and floats along on wings?  While that certainly sounds nice, I suspect I would get bored with it after a millennia or two.  Or maybe the afterlife will be like what Tim Burton envisioned in Beetlejuice, a world where the dead alternate between haunting the living and traveling to a janky bureaucracy.  Call me crazy, but the latter sounds like more fun.

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Deadpool & Wolverine

Deadpool & Wolverine (review)

One movie?  That’s all that Kevin f****** Feige is giving me in 2024?  This hardly seems fair, considering how I’ve been among the party faithful from the beginning.  I paid to see the very mediocre Black Widow, The Eternals, Thor: Love & Thunder and Antman and the Wasp: Quantumania.  I’m one of the biggest defenders of Doctor Strange In the Multiverse of Madness, for crying out loud.  I did punk out on The Marvels, but that’s no reason to force me to go cold turkey, Feige.

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Blink Twice

Blink Twice

One theory about crime that I’ve latched onto is how criminal activity is driven by the need to feel in control.  Generally speaking, criminals want to control the things they lack.  For example, a wealthy person controls money.  When a person of limited means steals it, they obtain control over the other person’s money.  (I’m grossly oversimplifying “Control Balance theory”, by the way.  Search on it if you’d like to know more.)  Similarly, a person can effectively control another person through a variety of criminal behaviors, principle among them being physical assault and murder.  The latter examples came to mind while I watched Blink Twice, where the desire to control another person, both mentally and physically, explains what we see, if only superficially.

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My Penguin Friend

My Penguin Friend

Tragedy can strike anywhere, even on Ilha Grande, an island off the coast of Rio de Janeiro, Brazil.  Based on the movie’s depiction of the place, it’s what I’d call a working-man’s paradise, where everyone tanned, smiling and walking around in summer clothes year-round.  The beach and the ocean’s shimmering waves are only a short walk from anywhere on the island.  If the movie’s depiction of it is to be believed, it’s a happy place for everyone who lives there.  Well, almost everyone.

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