Mank (Netflix)

While I’m no film school nerd, I have watched Citizen Kane several times over the past twenty-five years, and have read several articles on the making of the movie over that time as well.  I’ve also been watching David Fincher’s films since the early nineties.  And while some (Se7en, Zodiac, The Social Network) are better than others (Alien 3, Panic Room, The Curious Case of Benjamin Button), his movies always warrant at least one viewing.  When I read about Mank, I thought the movie could be a great one.  Fincher is one of the best directors of his generation, and he’s making a movie about the making of one of my favorite movies.  The resulting movie is not among Fincher’s greatest, placing solidly at the top of the middle-tier films he’s made.

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Rebecca (Netflix)

Rebecca is a curious movie.  It has all of the ingredients that should make it far more enjoyable than it ends up being.  The leading roles are played by Armie Hammer (The Social Network) and Lily James (Cinderella), both young, attractive and capable actors.  Supporting actors include Ann Dowd (The Leftovers, Hereditary) and Kristin Scott Thomas (The English Patient).  The production design and camera work are aces.  The movie is based on the same material that brought Hitchcock his only Best Picture Oscar (back in 1940).  For varying reasons, the ingredients don’t come together, resulting in a middling viewing experience.

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On the Rocks (Apple TV+)

On the Rocks is one of Sophia Coppola’s best films.  Released in a “normal” year, it certainly would have gotten positive notices from critics and several award nominations.  In 2020, however, the various critics circles may consider the movie as too lightweight to be taken seriously in these troubled times.  That would be a shame, because for me, the movie was perfect in almost every way.  I’m pretty sure I was smiling from beginning to end, and laughed many times at the hi-jinks of Bill Murray’s Felix and his exasperated daughter Laura, played by Rashida Jones.  I know that I’m giving this movie high praise, but honestly I don’t think I can praise it enough.

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Hubie Halloween (Netflix)

A friend of mine who reads my reviews said he couldn’t wait to read my review of Hubie Halloween.  Given that I am not a fan of Adam Sandler in any way, and have not watched any of his movies from beginning to end–or for more than a few minutes at a time, to be honest, reviewing his latest offering on Netflix would be an interesting challenge.  Even though I am not a film critic who gets paid for their work, and must see and critique films that they would gladly miss, I felt it was my duty to honor this request from my small, yet devoted audience.

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Doctor Sleep (2019)

On paper, making a movie out of Stephen King’s sequel to The Shining probably sounded like an excellent idea.  Both the original novel and the sequel were best-sellers.  The movie (released in 1980) remains one of the most iconic adaptations of his books, alongside Carrie, The Dead Zone, Salem’s Lot, Cujo, Christine.  King has long been on record as hating Stanley Kubrick’s interpretation of his novel, to the point where he approved a mini-series adaptation that was broadcast in 1997.  While much more faithful to the novel, most people still tend to point to Kubrick’s version as the definitive version.

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Enola Holmes (Netflix)

I admit that I am not an avid follower of Sherlock Holmes.  While I have seen From Hell and both of the Robert Downey Jr. movies, I’ve only watched a few episodes of PBS’s Sherlock.  I have not watched any episodes of Elementary.  Even with my limited exposure to the character, I understand him well enough to be able to follow along with the plot of Enola Holmes.

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Gemini Man (2019)

Will Smith is one of the most likeable actors I know.  He’s confident, but not cocky.  

Assured, but not full of himself.  Funny, but not comical.  Serious, but not intense.  When he flashes his sly grin, you feel like he just filled you in on a crazy secret.  As an action star, he’s a natural, going all the way back to Independence Day in 1996.  Who can forget him punching an alien invader in the face and then taunting by saying, “Welcome to Earth!”  In a way, his career is similar to that of Tom Cruise.  Smith doesn’t approach his roles with Cruise’s jittery energy or maniacal sense of desperation, but like Cruise, he clearly is having fun.

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