If you enjoy watching well-made movies about beautiful people doing all the wrong things, The Housemaid is for you. The trio of Amanda Seyfried, Sydney Sweeney and Brandon Sklenar make this trashy psychosexual thriller a blast. Recommended. Continue reading The Housemaid
“What inspired William Shakespeare to write Hamlet?” is the sort of question that propels historical fiction, a genre that reflections the modern mind’s insistence on understanding everything. The origins of a consequential work of art simply can’t remain a mystery after so much time has passed. With that mindset, if we take the clues (a.k.a. historical facts) and align them with the play, an answer will surely reveal itself. Superficially, putting the puzzle pieces of history together is what Hamnet is about. However, the movie is much more than that; it’s also a thoughtful discussion about art, life and how both affect us in distinctly different ways. As such, Hamnet is part literary detective work, part metaphysical curiosity, and the results are spellbinding.
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A lot has changed since Zootopia was released in 2016. For starters, the buddy cop movie is practically nonexistent. Decades ago, these movies regularly appeared in theaters in the form of action-comedies (Lethal Weapon, Rush Hour), spoofs (21 Jump Street), satires (The Other Guys) or fresh takes on the genre (The Nice Guys). Besides the evergreen Bad Boys franchise, I’m hard-pressed to recall a notable buddy cop movie from the past ten years besides the one starring Russell Crowe and Ryan Gosling. If sneaking the genre into a family film helps keep the genre alive, I’m all for it. I wish the filmmakers had given their animal detectives a better case to crack than the one in Zootopia 2. Ah well, perhaps they’ll get one in the next sequel, which is hinted at in a credit cookie.
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If grief appeared before me as a gangly, foul-mouthed, eight-foot tall crow who spewed insults, I’d assume I was done for. Which is what makes The Thing With Feathers so oddly compelling. The crow doesn’t appear before the Sad Dad in this film (played by Benedict Cumberbatch) to harm him, but help him. The crow wants to shock him out of his grief so that an even worse creature doesn’t do him in, Despair. As far as therapy options go, this one beats Yoga and keeping an “emotion journal”, either of which would push me off the deep end.
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A year ago, I wondered how the sequel to Wicked would incorporate the source of its inspiration, The Wizard of Oz. The answer arrives with Wicked: For Good, a noisy and unwieldy contraption that sabotages much of the goodwill from the first movie while it furiously crams the classic movie into the plot. Despite all of its clunky contrivances, the film is still modestly entertaining due to Ariana Grande and Cynthia Erivo, who save the film from collapsing under its own weight. If it weren’t for them, I would have prayed for flying monkeys to pluck me out of the theater and carry me to safety.
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In Guillermo del Toro’s Frankenstein, the myth roars back to life in this mostly successful adaptation. Jacob Elordi’s performance is a standout, while Oscar Isaac is miscast. Filled with beautiful and grotesque imagery, the film struggles for greatness and occasionally reaches it. Recommended. Continue reading Frankenstein (2025, Netflix)
WWII movies fall into two categories, those that following tradition and those that chart new territory. Those that opt for the former envelop you in their warm, cozy familiarity with the genre, like your favorite quilt. They don’t challenge you, but they’re entertaining. WWII Movies that eschew tradition in favor of bold and daring choices are more admired than loved. They’re the quilts you receive with a polite “thanks” that currently reside in the dark recesses of your closet. Nuremberg is solidly in line with the first approach, a direct descendant of the WWII movie from the Forties or Fifties.
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Raising children is expensive. Combine that with how difficult it can be for veterans to find suitable work after leaving the military and you have the origins of Roofman. The movie is about a thief who earns his nickname by chopping through the roofs of businesses before robbing them at gunpoint. Since Channing Tatum is in the leading role, I’ll confirm what’s most important to his fans: his trademark abs and glutes are prominently on display. That said, Tatum is far more than a beefcake actor, and this movie provides him with an opportunity to showcase his seldom-used range.
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Blue Moon is an engrossing snapshot of the artist in free-fall, with a delightful performance by Ethan Hawke at its center. Its insistence on shrinky-dinking Hawke down to size is a humorous distraction, but not a fatal one. Margaret Qualley radiates glamour as his potential love interest and lifeline. Recommended. Continue reading Blue Moon
When The Black Phone did well at the box office in 2021, it was a foregone conclusion that a sequel would be coming. This posed a challenge to writer-director Scott Derrickson and co-writer C. Robert Cartill: how to continue the story with a dead villain? For Black Phone 2, the solution was to delve into the origins of the Grabber (Ethan Hawke). While there’s no evidence of an unhappy childhood, we do see how he honed his skills before taking up residence in a Colorado suburb. Practice makes perfect, right?
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Detroit Cineaste 