Author: msobczak1138

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Lupin (Netflix)

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Lupin stars Omar Sy as Assane Diop, a Senegalese immigrant in France who models his life on the twentieth century thief Arsène Lupin. Known as the “gentleman burgler”, Assane has a gift as a chameleon, able to change his appearance and slip into various roles with ease whenever necessary. The sudden reappearance of a necklace that lead to his father’s incarceration and death spurs Assane to both steal it and prove his father’s innocence. Sy has charm to spare, the various heists are exciting to watch and every episode feels like a feature film. Lupin also addresses the racism that lead to the death of Assane’s father, and that he still deals with in modern France twenty five years later. Lupin is solidly entertaining, with a message that is as deftly delivered as it is timely. Highly recommended.

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The Courier

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The Courier is a well made and well acted cold war spy movie, but it doesn’t make the impact that it should.  Benedict Cumberbatch stars as Greville Wynne, an everyman recruited by the CIA and MI6 to act as a courier for a high-level contact within the GRU.  I appreciated the production values used to recreate Sixties London and Moscow.  Several performances, including those by Rachel Brosnahan as a CIA agent and Merab Ninidze as spy Oleg Penkovsky stand out. The movie becomes affecting when both heroes are in prison, but before then, it’s a very slow boil.  Lightly recommended.

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Soul

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Soul is a clever examination of the nature of being presented in the guise of an animated feature.  The movie delves into what comprises our souls, from how we get the different aspects of our personality, to what gives our lives its spark (or inspiration).  As expected, the animation in Soul is exceptional, and its depictions of the Great Beyond (and the Great Before) are a treat for the eyes.  Soul’s main story focuses on one man’s dream to become a professional jazz pianist, and how that may or may not be his calling in life.  While Soul doesn’t reach the same emotional height as Inside Out, it is insightful, thought provoking and very funny.  Highly recommended.

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Freaky (2020)

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Too bad Freaky couldn’t have called itself “Freaky Friday the 13th”, since that’s basically the concept behind the movie.  Freaky is a mashup of slasher movies (Friday the 13th, Halloween) and body swapping movies (Freaky Friday, Big).  The combination of those two genres proves to be an original and rewarding one, producing scares, gross-out moments, tender moments and plenty of laughs.  Highly recommended.

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Promising Young Woman (2020)

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Promising Young Woman is an in-your-face story of a woman taking revenge on men who take advantage of women.  Carey Mulligan stars as Cassandra, a woman whose motives become clear as the movie progresses.  Her performance is unlike anything she’s done before, and easily elevates her to the upper-tier of actresses working today.  If you’re a woman, I’d think there’s plenty in the movie you can relate to.  If you’re a self proclaimed “nice guy”, the movie is a splash of ice water to the face.  Highly recommended.

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Crime Scene: The Vanishing at the Cecil Hotel (Netflix)

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This limited series focuses on the mysterious disappearance and death of Elisa Lam while staying at the Cecil Hotel in downtown Los Angeles.  This story could have served as a fascinating single episode of Unsolved Mysteries.  Unfortunately, what we get is four overly padded episodes that eventually confirm what I suspected all along.  Worse still, significant time was devoted to talking head commentary that is irrelevant to the case, especially the commentary made by several self-described “YouTubers”, “web sleuths” and “journalists”.  The commentary they made online at the time was entirely baseless speculation on what happened to Ms. Lam.  The decision to include them along with the interviews of the actual detectives and forensic specialists involved in the case was a decision that turned what could have been a serious examination into the case into laugh-inducing material.  Not recommended.

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Sound of Metal (2020)

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Many great movies are based on a question.  Sound of Metal asks two: would you be able to adapt to a major life-altering change to your body?  Also, if you could get back what you lost, would you do it?  The movie is the story of a heavy metal drummer who suddenly loses his hearing.  He is given the opportunity to learn how to function as a deaf person, but he can’t let go of his former life.  Riz Ahmed is excellent as Ruben, the drummer who is forced to learn how to live his life completely differently than before, but cannot let go of his former life.  Highly recommended!

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Minari (2020)

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While watching Minari, I couldn’t help but think: is farming the saddest profession?  With so many variables out of your control, a happy and successful farmer would seem to be the exception to the rule.  Farming requires you to deal with the weather, pricing futures, insects, water (or the lack thereof), the physical toll, bank loans, and so on, any of which could leave you teetering on the brink of insolvency.  Being a farmer requires incredible fortitude, physical as well as mental.  You have to fully acquiesce to whatever fate may bring you, good or bad.  Minari fits squarely into the “tough life of the farmer” category of movies, and acquits itself well as a drama. Definitely recommended.

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The Trial of the Chicago 7 (2020)

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The Trial of the Chicago 7 (or TTC7) presents itself as an historical reenactment, and it is that to a certain degree.  Set during the Democratic National Convention held in Chicago in 1968, the movie is actually an Aaron Sorkin greatest hits package, with a bit of Oliver Stone visual razzle-dazzle thrown in to emphasize both the anarchy of the riots and the absurdity of the trial afterwards.  Fans of Sorkin’s trademark rat-a-tat dialog will not be disappointed, but few of the performances stand out from the superficial treatments of their characters.  Unfortunately, the directorial missteps outweigh the few good choices made, and the movie comes off more as a one-sided diatribe than an objective examination of the events presented.  That the movie has a topical connection to present-day events some fifty years later does not give it a pass for its flippant regards towards history.  Recommended for Sacha Baron-Cohen’s performance only.

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