Black Phone 2

Black Phone 2

When The Black Phone did well at the box office in 2021, it was a foregone conclusion that a sequel would be coming.  This posed a challenge to writer-director Scott Derrickson and co-writer C. Robert Cartill: how to continue the story with a dead villain?  For Black Phone 2, the solution was to delve into the origins of the Grabber (Ethan Hawke).  While there’s no evidence of an unhappy childhood, we do see how he honed his skills before taking up residence in a Colorado suburb.  Practice makes perfect, right?

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Tron: Ares

Tron: Ares

Tron: Ares isn’t a continuation of Tron and Tron: Legacy, but a spin-off.  It’s Tron-adjacent, set within the Tron universe with only the slightest connection to the previous films.  It’s the same approach behind this year’s Jurassic World: Rebirth, which was basically a CGI dinosaur movie  populated with entirely new characters.  This movie offers Tron-styled action and aesthetics with a completely different cast.  In both cases, branding propels the endeavor instead of storytelling continuity or narrative cohesion, with logic not entering into the equation.  On the plus side, members of the audience with minimal knowledge of what came before can still enjoy these films on the basis of the sheer spectacle they provide.  While that ultimately wasn’t enough in the case of Rebirth, it does make Tron: Legacy a very watchable experience.  It’s the most captivating screen saver ever created.

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Good Boy 2025

Good Boy

The role of the dog in a horror movie is a thankless one.  They appear early on, growl at something unseen and vanish into the night chasing after it.  The dog is found dead soon afterwards, a bad omen that the human characters never take seriously.  Good Boy turns that cliche on its head by telling the entire story from the dog’s point of view, an inspired choice that makes a run-of-the-mill ghost story harrowing and unpredictable.  In addition to its solid horror movie trappings, the movie is also a sobering meditation on what it means to be “man’s best friend”.

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One Battle After Another

One Battle After Another

For writer-director Paul Thomas Anderson, no subject is too unwieldy for a movie.  In his latest film, One Battle After Another, Anderson explores revolution, something most of us have only either read about or experienced from a safe distance.  He wants us to understand what it’s like to be a revolutionary and embeds us within a violent political movement so that we experience the emotional roller-coaster of their daily existence.  In his view, revolutionaries aren’t a faceless group of angry radicals wielding guns, but ordinary people who live and breathe a cause.

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