Black Bag

Black Bag

If you’re a fan of spy thrillers, much of Black Bag will sound familiar.  The plot involves two MI6 agents, their scheming colleagues and a computer virus that, when unleashed by Russian bad guys, will change the balance of power in the world by causing the death of thousands of innocent civilians.  This could be the basis of another impossible mission for Ethan Hunt, the next James Bond adventure or even a streaming series.  (There are many good ones to choose from these days.)  What’s different about Black Bag is that the heroic agents are happily married and have been for thirty-five years.  Yes, the fate of the free world is in the hands of a monogamous couple, as well as a fellow agent who hasn’t forgotten her Christian school upbringing.  If you believe that old fashioned values don’t matter in today’s world, director Steven Soderbergh and writer David Koepp beg to differ.

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The Rule of Jenny Pen

The Rule of Jenny Pen

Everyone has met someone so full of themselves that you wish you could be there for their comeuppance and subsequent humbling.  Since this rarely happens in real life, movies like The Rule of Jenny Pen oblige us in this type of wish fulfillment.  In it, Judge Stefan Mortensen (Geoffrey Rush)  is exactly the kind of arrogant bastard who we can’t wait to see laid low by fate.  But, as the saying goes, even the wicked get worse than they deserve.

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The Truth vs. Alex Jones

The Truth vs. Alex Jones

Structurally, The Truth vs. Alex Jones looks and sounds like a typical true crime documentary.  Somber cellos play over the opening credits.  Drones provide an aerial view of the town and the site where the crime took place.  Lawyers make confident and or defiant statements in front of microphones.  Photos and home movies of the victims accompany interviews with the grief-stricken surviving family members.  The shocking details of the crime echo in news media coverage.  Prosecuting attorneys and defendants have tense courtroom exchanges.  What distinguishes this documentary from the rest is that its focus isn’t the inciting incident–the mass shooting at Sandy Hook Elementary–but the criminal activity that began in the aftermath of that tragic event.

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Heart Eyes

Heart Eyes

Based on how Heart Eyes begins, I assumed the masked killer known as “Heart Eyes” (or HE, for short) hated Valentine’s Day and was taking his anger out on anyone celebrating the holiday.  The people HE initially dispatches–an annoying couple and their engagement photographer–indicate as such.  Subsequent victims, all engaged in conspicuously lovey-dovey behavior before they were sliced and diced, also appear to prove my hypothesis.  However, as we follow the ill-timed courtship of the two lovebirds at the center of this story, I realized that the movie isn’t about homicidal anger, but love.  Serial killers just have a funny way of showing it.

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