The Straight Story

The Straight Story

In what may be cinema’s most perplexing title card sequence ever, The Straight Story begins with “Walt Disney Pictures Presents…A Film By David Lynch”.  No, this isn’t a joke on Lynch’s behalf.  This movie really was released by Disney in 1999.  It was also Lynch’s only “G” rated film, which makes the odd juxtaposition easier to comprehend.  If you’re a Lynch devotee like myself, I want to assure you that although the movie is for general audiences, it does includes many of Lynch’s signature artistic touches that his fans will recognize immediately.  In other words, The Straight Story is just as  “Lynchian” as Blue Velvet or Mulholland Drive, two of his most highly regarded films.

Continue reading “The Straight Story”
Juror #2

Juror #2

Juror #2 is a movie about difficult choices and how our moral compass tends to shift when our circumstances change.  What we believe in the abstract suddenly becomes untenable when the things we value are at risk.  The difficulties involved with making the right choice despite the consequences has been a reliable subject for drama films, including several of director Clint Eastwood’s best (Unforgiven, Mystic River, Million Dollar Baby, and American Sniper)It also happens to be the theme of Juror #2, which is what I imagine attracted Eastwood to the material.  The movie places the protagonist in an increasingly stressful situation and asks him to be an upstanding, law-abiding citizen.  However, doing so puts him directly at odds with being a good husband and father, which makes “the right choice” not so clear-cut.

Continue reading “Juror #2”
A Complete Unknown

A Complete Unknown

As a biopic, A Complete Unknown is obligated to show us its subject’s humble origins.  Accordingly, the movie opens with a twenty year-old Bob Dylan (Timothée Chalamet) in the back of a station wagon.  He’s hitching his way from New Jersey to Greenwich Village to see his folk music hero, Woody Guthrie.  Dylan works on a song during the ride, scratching out lyrics in a notebook while refining the melody on his guitar.  Dylan’s workmanlike qualities, specifically how he was always working on his music at all times, is a theme the movie returns to again and again.

Continue reading “A Complete Unknown”
Nosferatu 2024

Nosferatu

Instead of trying to find a new approach to the 127 year-old tale of Dracula, writer-director Robert Eggers has based his movie on director WF Murnau’s unauthorized adaptation from 1922, Nosferatu: A Symphony of Horror.  Murnau famously altered Stoker’s story in a failed attempt to circumvent copyright protections.  What he produced was a film that is both very  similar to Dracula and while diverging from it in very distinct ways.  In using Murnau’s film as his starting point, Eggers’ reimagining of the Dracula legend is the most compelling version of the vampire I’ve seen since Coppola’s Bran Stoker’s Dracula.

Continue reading “Nosferatu”