Month: April 2024

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Civil War

Civil War

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When I first saw the trailer for Civil War, I was underwhelmed.  It looked like a standard action movie, so much so that I wondered when Gerard Butler (star of the “Has Fallen” franchise) would show up to save the country from itself.  The combat footage didn’t look special, and the plot of the movie appeared to be entirely about how “America is fighting with itself”.  It wasn’t until people that I follow on social media explained the movie that I reconsidered seeing it.  While Civil War may be a nightmare scenario inspired by the Trump presidency, the movie isn’t about that at all.  For example, the movie’s Trump surrogate (a perfectly cast Nick Offerman) is barely shown in the movie.  (Not that I needed more than I got.)  And while Civil War may look like a traditional war movie at times, its primary focus is on how wars are represented by the media, specifically journalists.

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The First Omen

The First Omen

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For those keeping score, The First Omen is the third movie released this year where the Devil plays a significant role.  Previously, Late Night with the Devil and Immaculate reminded us that Old Scratch should never be underestimated.  What does this trilogy of cinematic devilness portend?  While I can’t speak for Immaculate (which I haven’t yet seen), the two movies featuring Beelzebub have been very good indeed.  Perhaps it’s time for someone to revive the Oh, God! franchise to balance things out.

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Wicked Little Letters

Wicked Little Letters

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Describing Wicked Little Letters as a throwback feels odd.  I remember when British Period Comedies would regularly appear in theaters and be seen by what would politely describe as “senior audiences” in significant numbers.  The Full Monty was a Best Picture nominee back in 1997.  (Has it already been twenty-five years since it came out?)  Helen Mirren and Judy Dench once defined this genre, but haven’t been in anything like it in years.  Many things have conspired against this once dependable genre: COVID, streaming and changing audience tastes being primary among them.  Throwback or not, the movie is incredibly funny and will delight audiences who seek it out, either in theaters or on streaming.

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Lord of the Flies (novel)

Lord of the Flies (novel)

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I was familiar with the premise of Lord of the Flies long before I read the book.  The book has had a continual presence in Western culture since it was released in 1954, to the point where the title has become a established metaphor for describing a group of unruly children.  My impetus for reading Golding’s novel now was the Showtime series Yellowjackets.  I’d read that the series was originally conceived as an all-female adaptation of the book, but that the writers behind the show decided instead to use the story as the basis for an examination of teenage hierarchy.  Even though I’d read that Yellowjackets diverged widely from the book after the setup, knowing that Flies was one of the sources of its inspiration finally motivated me to read it.

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