In Jurassic World: Dominion, humanity is beset by two man-made disasters: dinosaurs running amok and gigantic locusts devouring the food supply.  The former is fallout from the previous movie, where the baddie had the brilliant idea to hold a dinosaur auction in his mansion.  The latter is the result of some nefarious genetic engineering on behalf of Biosyn, run by ruthless tech bro Dodgson (Campbell Scott).  Not content with controlling the world’s food supply, Dodgson is searching for Maisie (Isabella Sermon), a genetically-engineered clone who is now the ward of Owen (Chris Pratt) and Claire (Bryce Dallas Howard).

The supersized locusts catch the attention of Dr. Ellie Sattler (Laura Dern), who promptly recruits old flame Dr. Alan Grant (Sam Neill) to visit the Biosyn headquarters at the behest of mutual friend Ian Malcolm (Jeff Goldblum).  (They need a locust sample to prove that Biosyn is behind the big bugs.)  The headquarters doubles as a dinosaur sanctuary, and you just know the dinosaurs won’t be kept under wraps for long.  After Dodgson’s henchmen kidnap Maisie and Blue’s baby raptor, Owen and Claire head for Biosyn to retrieve their children.  After running from dinosaurs separately, the two casts unite so they can run away from the dinosaurs together.  

Dominion is not a perfect movie by any stretch of the imagination.  Its plot is driven by coincidences and contrivances.  The dialog is mostly perfunctory.  In spite of its limitations, I enjoyed it.  In the sixth entry of this franchise, the filmmakers can still rely on a solid performance by Pratt and a tolerable one by Howard to anchor the proceedings.  The dino-action is, as always, top notch.  The movie avoids the unforced errors that sank Fallen Kingdom, in that nobody does anything glaringly stupid.  I’m not sure if the reappearance of OG trio Neill, Dern and Goldblum was a panic movie to regain fans after that disastrous sequel, but it ultimately disappoints, with the gentlemen tossing gutterballs.  (Dern emerges unscathed.)

Fortunately, the chances director/writer Colin Trevorrow took with the story succeeded, and turned the movie into something better than the sum of its parts.  He thankfully moves the franchise beyond the tired “dinosaurs as entertainment” angle into interesting new territory.  He shows us what a world where dinosaurs and humans coexist actually looks like.  Then, he explores how the genetic engineering used to bring dinosaurs back to life could make things dramatically worse for humankind.  Finally, he turns the question of dominion on its head for a theme of cooperation and collaboration.  The movie also introduces several intriguing new characters, including DeWanda Wise’s tart cargo pilot Kyla, Dichen Lachman’s henchwoman Soyona and Mamoudou Athie’s Ramsey, an heir-apparent to Goldblum’s Malcolm.  Omar Sy is also back, and if this series will continue with another trilogy, he should be given the leading role.  Dominion takes risks when none were expected, and for that it earns my respect.  Recommended.

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If you aren’t a fan of the television series, there’s no point in seeing this movie.  If you are a fan, A New Era delivers the goods.  All of your favorite characters are on hand once again in a new chapter that is more of a continuation of the main plot line than the previous movie.  The Crowley’s (a.k.a. the poorest rich people you know) need money to fix a leaky roof.  As luck would have it, a director wishes to film a movie on the estate.  Lady Mary (Michelle Dockery) is all for it, but Lord Grantham (Hugh Bonneville) has his priggish qualms about it, as usual.  As (even more) luck would have it, Lady Violet (Maggie Smith) has just been left a villa in the south of France from a Marquis she met eons ago.  (Yes, before she was married.)  Mary sends her father and a contingent of her family off to the villa so that she can supervise the production.  Unfortunately, technology catches up with the director, who must shift gears and make a talkie.  Mary thinks they can pull it off, but unfortunately the lead actress sounds like a wench in a pub.  (What movie does that remind you of?)  Meanwhile, in sunny France, Lord Grantham has to confront the idea that his mother had a dalliance out of marriage, making him a bastard!

Like the series and the preceding movie, A New Era delivers what fans have come to expect and appreciate:  impeccable production values, top-notch acting, dollops of melodrama, wonderful costumes and snappy dialog, all set to that iconic orchestral score.  I liked how several of the supporting characters continue to grow in interesting ways, including resident nebbish Mr. Molesley (Kevin Doyle).  It goes without saying that this movie includes a wedding, a proposal and several professions of love, some expected, some surprising.  In the end, there’s the unexpected departure of a character who’s been around since the beginning, as well as the not-so-unexpected death of a beloved character.  Julian Fellowes, the mastermind behind Downton Abbey, makes it look so effortless.  Regardless, Tom Branson (Allen Leech) is still the luckiest chauffeur ever, and he knows it.  Recommended.

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Top Gun: Maverick is a direct sequel to Top Gun and just like its predecessor, it’s an endorphin-fueled joyride of a movie.  Tom Cruise is back as Pete “Maverick” Mitchell, a gifted Naval aviator with a need for speed only matched by his penchant for taking risks.  Thirty-some years later, Maverick is still doing his thing, flying experimental aircraft.  He’s haunted by the death of his wingman Goose, a tragedy that he still feels guilty about.  (An official investigation cleared him, but, you know.)  A top-secret mission pulls him back into the TOPGUN program, where he’s tasked with playing the role of instructor to a bunch of hot-shot pilots almost as arrogant as he was way back in 1986.  In between training missions, Cruise alternates his free time between romancing bar proprietor Penny (Jennifer Connelly) and dealing with the anger from Rooster (Miles Teller), the son of Goose.  Director Joseph Kosinski manages to recreate the spirit of the original, which is no small feat for a rebootquel.  Like its predecessor, Maverick is expertly made, very entertaining and features a performance by Cruise that makes him look a bit more mortal than usual.  If you liked the original, you’ll like this one.  Recommended.

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