The Unholy is a throwback to horror movies from the Seventies, like The Exorcist and The Amityville Horror. Its present day inspiration would be the Conjuring movies, with their focus on normal, everyday people confronting evil from a Christian perspective. Unlike the Conjuring movies, The Unholy takes a more humanistic approach for most of its running time, focusing more on the characters trying to understand the mysterious events happening around them and less on evil beings and bombastic displays of satanic power. Its message of mistaking evil for the divine is a timely one. Recommended.
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“Once you take Larry’s hand, you’ll never be alone again.”Misunderstood Monsters
Come Play is a very effective low-fi scare movie. The movie is the first I’ve seen where the haunted is portrayed as autistic. Oliver is a young autistic boy who has unwittingly attracted the attention of Larry, a ghoul from another dimension. Larry wants Oliver to be his friend, and creates a picture book that, when someone reads it to the end, allows Larry to cross over into our world. As Horror movie hooks go, the one used by Come Play is as incredulous as any other. What elevates this movie above others is its excellent pacing, realistic direction and solid acting. Similar to Insidious and Lights Out, what you don’t see is scarier than what you actually see. Highly recommended.
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Lupin stars Omar Sy as Assane Diop, a Senegalese immigrant in France who models his life on the twentieth century thief Arsène Lupin. Known as the “gentleman burgler”, Assane has a gift as a chameleon, able to change his appearance and slip into various roles with ease whenever necessary. The sudden reappearance of a necklace that lead to his father’s incarceration and death spurs Assane to both steal it and prove his father’s innocence. Sy has charm to spare, the various heists are exciting to watch and every episode feels like a feature film. Lupin also addresses the racism that lead to the death of Assane’s father, and that he still deals with in modern France twenty five years later. Lupin is solidly entertaining, with a message that is as deftly delivered as it is timely. Highly recommended.
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The Courier is a well made and well acted cold war spy movie, but it doesn’t make the impact that it should. Benedict Cumberbatch stars as Greville Wynne, an everyman recruited by the CIA and MI6 to act as a courier for a high-level contact within the GRU. I appreciated the production values used to recreate Sixties London and Moscow. Several performances, including those by Rachel Brosnahan as a CIA agent and Merab Ninidze as spy Oleg Penkovsky stand out. The movie becomes affecting when both heroes are in prison, but before then, it’s a very slow boil. Lightly recommended.
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Nobody is a punch to the gut, an elbow to the face, and a bullet to the head, each delivered with relish as well as a knowing wink to the audience. It’s a welcome shotgun blast to our weary pandemic-infused stupor. It’s bloody, vicious, hilarious and I thoroughly enjoyed every minute of it. Highly recommended!
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Soul is a clever examination of the nature of being presented in the guise of an animated feature. The movie delves into what comprises our souls, from how we get the different aspects of our personality, to what gives our lives its spark (or inspiration). As expected, the animation in Soul is exceptional, and its depictions of the Great Beyond (and the Great Before) are a treat for the eyes. Soul’s main story focuses on one man’s dream to become a professional jazz pianist, and how that may or may not be his calling in life. While Soul doesn’t reach the same emotional height as Inside Out, it is insightful, thought provoking and very funny. Highly recommended.
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